MTF: DEMON HUNTERS: STORY 3: FOR THE GREATER GOOD OF GOD

Crazy and fun times ahead

I started Story 3 after the 1st of the year, but backed off to push VS #2: Beach Head vs Zandar. May have thrown VS #1 in there too (Storm Shadow vs Helix). Demon Hunters 3 is a straight forward story, but due to the setting, I'm dropping the reader into the unwritten Andromeda Quest project. This story takes place something like 10 years or more after the initial events of TRANSFORMATIONS/WAR FOR TERRITORY and x-years after UNFINISHED BUSINESS. There's a very loose timeline of when all this is happening but I think it might be before 2021. Or when the unwritten NEW BREED story takes place, which is a reboot/evolution GI Joe story (new team). There'll be an author's note at the beginning to try and clear stuff up. It'll probably be repeated within the story at certain points too. 

At the moment, the Devil Dogs just stepped through the portal (gateway, I switch terms on the fly. it's not a stargate!). For the 4 main Devil Dogs, it's all new to them. That's the fun of writing it. If I ever do the Andromeda Quest series, the reader will be dropped several years into the adventure. Particularly, Marauders will have already taken it over which will push the timeline to around 2014-2016. The team it will actually follow, I think might be slightly later, 2016-2019 (because the original team, half of them were killed which was written in UNFINISHED BUSINESS). 

In this story, Firenado will still be on the disabled list. 4 others will have joined; technically they are specialists. They help the team but aren't official members. The first chapters will be filling the reader of the Andromeda Project; the crew got a very vague briefing and Knockdown is keeping his mouth shut because he simply wants to them to experience "the greatest secret in human history" without him influencing them. Even their new handler, Whisper, is awestruck. An intel officer, she didn't know about it and like Lt Blitzkrieg, Razor, and Googles, dumbfounded. (Part of how to make things work is what effect this has in the Zedd Universe since Whisper is not quite who she says she is; will it matter much in the FOUR HORSEMEN project???)

The real point of this post... I have physical representations of the Devil Dogs and the Demon Hunters. Because these are custom figures, there's been some painting applied. I don't usually handle the figures due to knowing the paint would chip. And of course, it did as I tried to pose them for the few photos I have of them. Talking to a friend, I was directed on a matte finish that would work best. That was months ago. I finally took the dive and bought a bottle, received last night, and I worked on a couple of the heads. And wow, it looks like it works. This morning, I worked the 3rd head. 2 of them needed slight repaints but it wasn't too bad. (I could only work on 2 heads cuz I only have 2 test bodies. #3 had to wait. I know, TMI.)

Aside from that, the 2 main characters of the Demon Hunters squad are Rocker and Hunter. The 2 main characters of the Devil Dogs are Lt Blitzkrieg and Razor. How it worked out that both sides, it's leader and scout. Setting these guys side by side, I see now they are worlds apart. There was an organic flow in their creation. The Devil Dogs are your standard military squad. They wear official Marauders, uh, gear. (Marauders has a standard look and the Devil Dogs, being a squad amongst squads, is uh, a squad. Like the Iron Fists, Desert Foxes, etc) Both Blitzkrieg and Razor have long, slicked-back hair pulled into pony tails. In some ways, they are male-model/suave looking. Not quite how I imagined them, just how I saw them, if that makes any sense. (The heads were purchased from Spartan118 and I simply liked their look). The Demon Hunters, the main 2, dress differently. They wear t-shirts. Due to them being scouts, I need them to be equipped light so they can move around quickly and easily. Their head choices, I kinda wonder. I feel Rocker's head would have been better as Blitzkrieg's. Rocker has shorter hair and a more hardened look, which is closer to how I envision Blitzkrieg. Maybe a bit Sgt Barnes-ish (Platoon) in personality. Hunter, with his Last of the Mohicans heavy-metal hair style, it actually lends itself more to how I see Razor. Both scouts are Native American, I suppose that's just a casualty of growing up with GI Joe where Spirit was the tracker. Just without the mysticism. 

Check out an upcoming image from Story3: FOR THE GREATER GOOD OF GOD (Yes, that's an Iron Maiden song title)

Devil Dogs on the left (sans Goggles, Trainwreck, and the specialists who don't get figures). Demon Hunters on the right.

 GI JOE: VS: STORY 2 - BEACH HEAD VS ZANDAR

AFTER THOUGHTS

Now that I got it all written and posted, time for a lil reflection.

I've said before that writing a story can take on a life of its own. Ideas pop up, sometimes get put in, etc. How this story started, well, I scrapped it and started over. The original was going to be from the perspective from Zandar. As I was writing it, it started to feel more like a wikipedia entry than a story. I have found with writing, it allows for more exploration of the world and the characters. I've used Beach Head in the diostories and Zandar, I'm not so sure. Maybe in the background. About as much visual time as Zandar in GI Joe Retaliation!

I've stated in the past that doing diostories and traditional written stories are pretty far apart. Diostories are more visual but limited to the space on the frame for text. That would include description, storytelling, and dialogue/monologue/thoughts. The need to describe the setting is no longer necessary. What gets lost is the depth of the characters. The story has to keep moving and there's often no place for a 21- page history of character (Tom Clancy was great at doing this in his pre-2000s books. If not mid-90s and earlier). Due to that, Beach Head never really had much of a personality in my diostories. With how I wrote my stories, I did what I saw fit. There were many characters who never showed up because I didn't know how I wanted them to be. Duke is a prime example of that. Serpentor also. If I wanted to use someone but wasn't entirely sure how, I relied on a mix of cartoon, comic, and filecard. Some versions weighed stronger than others.

I remember now, Beach Head got a lot of time in the diostory GAME OF DEATH. I don't remember exploring his personality in it. His personality was based heavily on the cartoon. With Beach Head being a main character (not THE main character) in this VS story, well, I still kind of skirted around what he's really like. There are some hints and it's still very cartoon based. 

Now, this is where I get into the organic part. The end of the story, the epilogue if that's what you'll call it (there are no chapters because it's supposed to be a short story!), the reader gets a glimpse of what Beach Head is into. That wasn't planned, other than him being in the hospital bed. The plan for that was like this (and notes):

-Beach Head wakes up in infirmary

-Gonzalez and Anders are there to meet him

-Anders hands him the file on Zandar who was an unknown to them (despite Beach Head knowing of Zandar, I was going to play that he didn't know what the guy was about. Not like Zartan. All he knew is Zandar was younger brother.)

-Big long ditty of Zandar which would have been most of the elements from my original draft. But even that didn't feel right. I wanted to keep him remotely mysterious. But it felt like a cheap way to go into Zandar's background, but not so much personality. Visually, it would be Beach Head looking at a file and the reader would see the contents of the file. Instead, I decided to go slightly more modern. Digital voice recorder where Zandar can (kind of) explain why Beachy was hunted. I still don't go into great details or even talk about what Zandar is.

-In the Zedd Universe, Zandar is an assassin. He has the same cloaking/blending ability as Zartan. But he's not a master of disguise. The file would reveal (or the original), that Zandar was pretty much a loner and lived on the streets of NYC (The Bronx, more specifically). A street rat, he watched people. And thus, he learned martial arts from watching and copying the movements. The point, in the end, he had no formal military training. In my mind, that led to the issue of, how could this guy take on a seasoned soldier like Beach Head? Well, Zandar doesn't play fair.

-The beef against Beach Head comes from a failed assassination of a high political officer. It was only dumb luck that Beach Head got in the way. To Zandar, that's reason enough for his hatred. Beach Head, even after the hearing, still wouldn't have a clue what Zandar's talking about. I forgot how Beach Head actually botched it. Like, he wasn't even on duty, just a bystander who got in the way. Or he bumped into the guy moving the target just far enough out of the way so Zandar couldn't take the shot.

-The original message that Anders deciphers, mentioned Beach Head specifically. I chose to leave it out to keep it more mysterious. Like the crew said, nothing's happened the prior 2 weeks. Only at the end, do we get more of the reasoning for the VS. I strongly considered having Zandar spout Shakespeare in the exact same vein as General Chang in Star Trek VI: Undiscovered Country. Afterall, Zandar is pounding on Beach Head cloaked! I went light on what Zandar said.

-The diostory was going to be just the two of them. I would have manipulated the photos pretty heavy to make Zandar just a blur during the fight. In another post, I discussed the difficulty of posing these figures whose joints were pretty much locked. The fight scene was stiff and nowhere near how I wanted it. I won't discuss how the setting looks nothing like a dense forest too.

-The voice recorder element would speed everything up and give an explanation to things. The reactions by the Greenshirts ends the story, which I felt was appropriate. Would I have preferred a larger kill count? Yes. But the mission only called for x-amount of units. I needed someone to get back to the rescue team to tell them where to go. Gonzalez, I didn't feel like killing off. In my mind, I questioned whether Zandar would kill a woman. If he had a code. If paid, yes he would. But he wasn't getting paid for this. His target was Beach Head. And it's not written, part of the reason for killing Blue and Smith is that Beach Head would have to deal with their deaths. Part of the psychological warfare Zandar was conducting.

-Beach Head has interests? Or questions? I believe, over time, Beach Head has become more thoughtful. Still hard as a rock. He's getting older and in some ways, more jagged. Yet, he knows when to soften for the good of those around him. Him wondering about the afterlife was completely organic and on the fly. That's the type of characterizations I'm referring to that I can't easily have put in a diostory. It would have taken a few frames which needed to move the story forward.

-I questioned where I should have even let the reader know that the VS is Beach Head vs Zandar. Part of me says, make it more mysterious of the characters involved; just show Beachy. But then, I considered, put the VS characters names and have people curious as to what the story is. Why is there a VS? Not a who is the VS. Tho it's very much written of whom the crew is being hunted by!

-The diostory version was going to end with a big misunderstanding. Beach Head was after Zandar for an assassination. But Zandar would explain, in the end, it wasn't him. In that regard, it was really going to be Beach Head vs Zandar

There are probably a lot more thoughts and ideas, but they escape me as the moment. Here, check out a few raw images of what the diostory would have entailed.

 GI Joe: CLASSIFIED. A LOVE-HATE RELATIONSHIP

I've bought these things 3x now. 1st time, I was just trying them out. Had a few but not many. They were kinda neat. I was a time in my life where I wasn't doing much toy photography. What I did, either I was out of shape, lost the eye for it, didn't have the creativity then, or... I just couldn't figure out how to make them work. Which is odd because Sigma6, which had figures 2 inches taller, those were fun and easy! But these Classified, I found the quality to inconsistent and the figures hard to use. Snake Eyes, for example, has hands that I couldn't bend to put a sword or gun in. Stiff as hell. Yet, his torso piece was floppy. The rest of the joints were acceptable; leaning on the slightly loose side. 

By the 3x time I was buying these (again, but for the most part, different figures), I'm finding the hands are still a headache. And knee joints are often so stiff, they might as well be locked in place. Fans say to use hot water. But that will unlock the knees but won't keep them unlocked from what I can tell. Because I photograph outside, I can't pose them because the joints are too stiff. (It's not like I'm going to take a thermos of hot water out there)

The Classifieds, I had some odd plans for them. Then I thought harder about it and changed it all. 

For example, the VS project was going to be a diocomic using them. Changed my mind on that real quick after attempting to photograph the fight scenes for the 1st 2 stories. That doesn't mean I would stop buying them, just doing something different with them.

I did come to the conclusion that I would be mixing the scales for photography. I haven't done it yet, only thought about it. Whether I photoshop it or manipulate the perspective, basically, I don't need a Classified Cobra Commander when I have a small scale one I like (and prefer). Classified isn't a collection for me. It's a tool for my creativity. Maybe that's why I've been attracted to the more unusual characters; characters I didn't go near as a kid (nor had interest). As an adult, I got 'stuck' with some of them because they came in the theme year 2-packs. Mindbender comes to mind. I didn't purposely go to Target for Mindbender; it was more just getting a 2 pack that happened to have him in it. (I think it was Dart that came with him? JvC had Beach Head vs Mindbender?) With all that in mind, I've made a few errors in my Classified purchases. I probably should have shied away from the Alley Vipers and BATs. I guess I was kinda thinking the Joes needed someone to beat up on.

Don't get me wrong, I'm not a fan of the large scale but I accept it. I really hate the varying price points found on Amazon. But these figures are rather neat. Most are well done.

Another revelation I had and I had unknowingly been trying to push this on Classified... I am so used to how Marauder Gun Runners does their MTF line. I'm used to creating my Joe characters. When it comes to Classified, I want to add holsters to the figures and equip them with pistols. Outfit them with different weapons (or better weapons). It's almost like, why doesn't a 3rd party hook us up??? Makes me kinda wish Marauders would do a 6in line. I say this because I know how they operate. Everything would be quality and there would be plenty of options. 

Anyway, back to writing the stories...

 GI Joe: VS: Story2: Beach Head vs Zandar. Thoughts

As I start to enter the hand-written story into the computer, a lot of old writing lessons filtered back into my head from decades ago. Stuff like, "write an outline", "write it all out and go back and fill in the details later", "it's just a rough/1st draft, make it fast. That's what revisions, edits, and rewrites are for," and a few other random things. When one starts to think in those terms, it really feels more like work than just a process or something fun to do. Frankly, that stinks. I think to when I was doing my diostories. I did most of it on the fly but at the same time, I spent a lot of time thinking of the scenes. I didn't go so far as to draw a storyboard or write a script. That's just too much. Don't tell me that once it's ingrained, it's just part of the process. Man, if I do something with that many steps, I better get paid for it!

When I got Classified Zandar, whom I didn't have as a kid but did get a smaller version at one point as an adult (Dreadnok 7-pack), I was totally checking him out. I knew who he was per cartoon and filecard, but I don't remember him having much of a role in the comic. The live-action movie version, he just stood around for the most part. His pink hair also got shaved (the theme of GI Joe Retaliation was about bald people, if you really think about it) and had no indication he was Zandar (cept for a casual name call by Zartan). 

Zandar, in my universe, though it was never quite written into the stories, had taken Zartan's spot. I played on the Devils Due Publishing aspect where Zartan was going crazy from all the personalities he had taken on over the decades. Zartan never played a big role in my stories (the Dreadnoks, in general, didn't) but they had some short scenarios made for 'em. Only Zarana and later, Zanya knew that Zandar had take Zartan's spot to run the 'empire'. That element never resolved storywise. When Zartan did show up, he acted more like Yoda on Dagobah. Living a solitary life; even the 'noks didn't know where he holed up. But he still had some of mental faculties, enough to deal with GI Joe. 

This was my chance to bring Zandar to life in the Zedd Universe way. I think his file card has him listed as an Assassin. I chose to make him a hunter. A predatorial-like hunter. The beginning of the first draft for Vs #2, it was going too much into him. There wasn't enough story, more of a wiki article about him. I wrote 1 page before starting over. 

I talked to a few people about the story. It's a hunting story; how do I make it so it doesn't feel like a Predator-knock off? (We're talking 1st Predator movie!) I never had a good answer. Change the details, setting, mission, etc? It's still Zandar hunting Beach Head. The Vs reasoning is already in place but not revealed until the very end why Zandar has a beef against Beach Head. The story itself is a bit like Predator. I had a friend at work walk me through some of the psychological stuff that occurs (he served but found out recently, not in a combat role). 

The random thoughts that popped up as I wrote the draft (story's not quite done; there's an end scene to wrap it up but I'll do it after the main chunk is taken care of):

-Zandar taunts Beach Head throughout the entire story. My mind referenced General Chang from Star Trek VI: Undiscovered Country where he's spouting Shakespeare. That's very much how I saw Zandar.

*IMDB*

-Zandar has the same abilities as Zartan in that he can blend into the environment/cloak via nanos in his body. However, he's not a master of disguise. 

-Zandar has no formal military training. I purposely wrote it that he had alternative training that could have put him on par skillwise with Beach Head. In the end, as an assassin, his job isn't to beat someone to death. It's to kill in a quick fashion; particularly in 1 strike. Zandar doesn't quite follow that usual reasoning in this story because he wants to mess with Beach Head. There's a reason for that which is revealed at the very end of the story, in the epilogue. 

-The mission the Joes are on is very straight forward. Hardest part was what some of these people represented. If one looks at Predator and compares it to, let's say Aliens or other light-military shows and movies, just what are the specialties of Dutch's crew in Predator? Dutch, Dillion, Blaine, and Billy are pretty straight forward. Hawkins was 'the kid' which left Poncho which I'm not sure what he purpose he served. Grenade Launcher Dude doesn't tell me much. In my story, Andrea Gonzalez was the hardest to come up with a decent skill set but yet, easiest to write.

-Had a lot of fun with the analog technology. Well, sort of. 

-Supposed to have been a short story! Significantly longer and deeper than Vs #1: Storm Shadow Vs Helix!

-The VS project was supposed to be a visual story. But I ran into multiple issues when photographing. Namely, these Classified figures have stiff/locked joints. Hot water can only get me so far, at home. Outside, I'd have to carry a thermos and dip the body parts in to bend? Not gonna happen. Therefore, the fight scenes were clunky and I would have had to do a lot of creative editing. Both stories have fight scenes photographed but they feel lame.

-The visual version, I had a really hard time coming up with a story. Originally, it was Beach Head hunting Zandar; playing on BH's file card that he'll sit around for weeks on an ambush where an enemy might not even show up! My issue was, why would Zandar just be strolling around wherever he's at? I had nothing for Zandar's side. What? He's coming back from the grocery store? A whole new story was created.

This post is early in the writing process. Through the rewrites, who knows how it'll come out.

Raw image. Not quite forest-y?

 Subject Matter: Attempting to break the past

I mentioned in a previous post how I kind of wanted to break away from the licensed and history of toylines and create my own stories. I've noticed that just creating a light para-military team is a hard sell. People know GI Joe. Good luck getting people really interested in something else with other characters. Looking at Eagle Force, Valaverse, Operation: Recall, etc. Now, a friend up in Canada as well as one currently in Bangkok have asked for years, why not just do your own crew??? Now, I was writing stories based on GI Joe; particularly with the figures because I was doing diocomics. While I wasn't going to try to make money off it, I was happily doing what I wanted with the characters and to an extent, not destroying the rich and convoluted history/canon. (GI Joe has cartoons, movies, comic books, etc all feeding into it.)

Let's talk about Marauder Gun Runners. This was an independent company who started by making 1:18 scale weapons for 1:18 figures. At a certain point, they launched Marauder Task Force which were customizable military (collectible) military action figures. A lot of the early adopters were 'porting' over GI Joe characters into MTF format. I ended up doing that and at first, it wasn't received with open arms. It felt like people thought it was blasphemy. It took a few years for the toy community to chill on it.

The real point here is that I was making up MTF teams. For the most part, no relation to GI Joe or anything else. But there was references to GI Joe. Later, many GI Joe would join the Marauders Task Force (in my universe). This was a chance to do stories with all new characters! Yet, all I did was link them into the GI Joe universe. Well, sort of. The Desert Foxes were initially a GI Joe team that transferred over to Marauders. But the Desert Foxes were not a GI Joe property (even tho I used Hasbro heads for most of them). I had the Iron Fists (no relation to Warhammer 40k) which were my 1st (and they were built from the very 1st Kickstarter campaign that started this whole MTF thang!).

Skip ahead nearly 10 years, I had moved out of the diostory arena and into good old fashioned writing. One of the projects (I call them projects because if I bail on them, no big deal), I wanted to tell a story of a military crew whose name gets used in the Warhamer 40k universe. The World Eaters. The story would follow a crew who get manipulated, become more violent, and ended up hunted by the world for their actions. They started as the Marauders' Devil Dogs, later to become the War Hounds, and in their last manifestation, the World Eaters. The Demon Hunters are another Marauder group, tasked with hunting them down. They are already a hunter group; the World Eaters, in this form, are not actual demons. Kind of metaphorical. 

As I was writing the 1st story, it was definitely stand-alone in terms of lack of GI Joe or any other toyline influence. Except, the World Eaters belong to the 40k entity so I am kinda treading in copyright territory. These guys don't become 40k World Eaters, they only end up with the name. The premise is, people are forgotten, it's the titles and names that transcend the ages. I had this fun idea that when the Emperor created the War Hounds/World Eaters, he would have been sitting on his throne, thinking like he does all day and night... "I have a new chapter. They need a name. I seem to remember, in the history of the world, there was a particularly nasty military group called the World Eaters... And so shall this chapter be named. THIS I COMMAND!!!"

I don't really consider the Devil Dogs stories a 40k thing. Story 2, a couple characters from the GI Joe side come into play. But that will also be setting up for the 4 Horsemen project which will come after the World Eaters series (4 Horsemen will most likely take place at the same time, not actually after time-wise). Basically, will I ever write a pseudo-military story that stands on its own? Probably not!

 Writing Evolution?

I started writing stories, I think back in 8th grade. Probably the same with comic books, which never got far. But I think it was just me with a lot of ideas and needed a creative outlet. The artist side in me. By college, there was a catalyst that got me really working on my own story. Started writing it on paper and then later entered into a computer. Or rather computers. Cuz while it was a on lil 3.5in disk, it migrated from one computer to another. And back then, computers burned out pretty quick and the concept of saving and having back-up, wasn't quite a thing for people who simply used computers but weren't overly knowledgeable about them. That said, the story, the 1st in a series, had a full 1st draft. I think it was around 75 pages. All the times I tried to rework it, it got longer. It also got more in-depth as I had started reading Robert Jordan (I came from a Tom Clancy/Stephen King background). I think the longest it got was 250 pages and it was complete. I've lost the story so many times and had to restart it, I kind of ended up changing details. The initial story was a fantasy/sci-fi story (we'll skip the hard definitions here) started in 1993.

Throughout college, I did lil dittys here and there of different subject matter. Nothing ever panning out (ie; completing). Great at starting, never finishing.

I started doing diostories/diocomics around 2005. GI Joe-based. That's where my storywriting went.

Fast forward to now (and let's say 2024-ish), I'm rewriting the GI Joe stories. And then, I started this Demon Hunters project. It was just for fun, doing something outside the GI Joe realm. Yet, the Zedd Universe already linked Marauder Task Force and GI Joe (amongst a bunch of other toylines). I was, for the most part, thinking it was neat to break away from GI Joe and all their history and canon. Yet... it's still kinda there. 

AND then there's the VS story which  brings me back to writing GI Joe stories! What I was trying to get away from. As I write Vs #2 and Demon Hunters #3, they feel worlds apart to me. GI Joe: VS has the familiar GI Joe vibe (well, my vibe, not the GI Joe vibe). Demon Hunters usually references GI Joe and has some elements. It's just fun for me to write it all and make it all connect. (There's more to these writing projects but I'm out of time)

Will I get back to my own story? Someday. It's in my writing bag w/ 3-4 other stories.

 Distractions and STFC

Star Trek Fleet Command. Just hit their 7th year back around Thanksgiving. That's a long time to play a mobile game. Lots of hours logged in; it's not a casual game and it's definitely not a passive game. It's the biggest time killer probably in the same way World of Warcraft and Everquest are/were. Cept, STFC started as a mobile game which means, if you had any sort of connection, you could play it anywhere at any time (well, barring the game being down for maintenance and updates). It it also the ultimate distraction because, for the most part, you can jump on for awhile and end your session w/o worry about save points or not finishing something.

What's this have to do with anything. Well, I'm pretty sure my writing could be a lot further these last couple of years (when I started writing more). I find myself thinking more with what to do with the stories; parts and chapters to be created, etc. That's something I never really did, where I thought I had to meditate on what to do next or how to tell a certain scene, etc. I try to tell myself, as long as I'm able to do something semi-creative a day, that's good enough. So if it's not VS: Story2: Beach Head vs Zandar, I might be working on landscape photos or toy photos. Or I might actually draw something. That last one is a stretch because I really don't pick up a sketch pad often.

But, with the way my life is, it's hard to sit down and concentrate on something, like my writing or drawing because it's very possible to get pulled away a moment's notice. I'm sure there's some adulting getting involved here too. Makes me wonder how people work their regular 9-5 job and then have any time to do anything. It very much feels like, come home, make dinner, eat, and then we move into nightly chores. By the time I'm done, it's the night routine which means, I'm heading to bed in short order. And I swear, getting older, I'm going to sleep earlier?!? (yet, I can't sleep thru the nite; up and down...)

Back to the writing hobby. I tell myself, also, if I can even put down a few sentences, that's better than none. The thing will never get written unless I actually do something about it. I only got about a paragraph written yesterday; wanted to do more but had distractions give or take me looking up information (for this particular story).

Aaaaaaaand, gotta get ready for work...